Quantcast
Channel: Jazz – Lossless Music Download
Viewing all 2590 articles
Browse latest View live

Nat King Cole – The Christmas Song (1967) [Audio Fidelity 2015] {SACD-R + FLAC 24-88.2}

$
0
0

Nat King Cole – The Christmas Song (1967) [Audio Fidelity 2015]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 31:02 minutes | Scans included | 1,26 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 603 MB
or  DSF Stereo DSD64/2.82MHz | 1,24 GB
Mastered by Kevin Gray | Audio Fidelity # AFZ-225 | Genre: Jazz

First issued in the ’60s, this collection of musical Christmas cheer is packed full of the smoothly sung, sentimental favorites associated as much with Nat King Cole himself as with the season. The singer’s performance of “The Christmas Song” is an unforgettable classic reprised here twice, once in an updated version that includes a contemporary vocal from his daughter, Natalie, and also in Cole’s original 1946 recording. Other traditional religious favorites like “I Saw Three Ships” and “Away in a Manger” are also featured, in a setting that, with its well-arranged orchestral accompaniment, manages to sound both sophisticated and folksy.

Tracklist:
01. The Christmas Song (Merry Christmas To You)
02. Deck The Halls
03. Adeste Fideles (O Come All Ye Faithful)
04. O Tannenbaum
05. O Little Town Of Bethlehem
06. I Saw Three Ships
07. O Holy Night
08. Hark! The Herald Angels Sing
09. A Cradle In Bethlehem
10. Away In A Manger
11. Joy To The World
12. The First Noel
13. Caroling, Caroling
14. Silent Night

Mastered for this SACD by Kevin Gray at Cohearent Audio.

SACD-R

http://www.datafile.com/d/TWpBeE1UZ3hPVEEF9/24bit.pwNatKingCleTheChristmasSng1967AudiFidelity2015SACDIS.part1.rar
http://www.datafile.com/d/TWpBeE1UZ3hPVEkF9/24bit.pwNatKingCleTheChristmasSng1967AudiFidelity2015SACDIS.part2.rar
or
http://rapidgator.net/file/db94d856c944591bdbfb6b7a3f69e85b/24bit.pwNatKingCleTheChristmasSng1967AudiFidelity2015SACDIS.part1.rar.html
http://rapidgator.net/file/da9cc3a98b910636f0d439ddc5adcdb8/24bit.pwNatKingCleTheChristmasSng1967AudiFidelity2015SACDIS.part2.rar.html

FLAC 24-88.2

http://www.datafile.com/d/TWpBeE1UZ3hPRFkF9/24bit.pwNatKingCleTheChristmasSng1967AudiFidelity2015FLAC2488.2.rar
or
http://rapidgator.net/file/c572490fa3e0752755968071455d781d/24bit.pwNatKingCleTheChristmasSng1967AudiFidelity2015FLAC2488.2.rar.html


Norah Jones – The SACD Collection (2002-2012) [6x SACD Box Set – Analogue Productions’ Remasters 2012] {SACD-R + FLAC 24-88.2}

$
0
0

Norah Jones – The SACD Collection (Limited Edition) [2002-2012]
PS3 Rip | ISO | SACD DST/DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 10,7 GB
FLAC (tracks) 24 bit/88,2 kHz | 2.0 Stereo | 264:29 mins | Scans included | 5,45 GB
Includes 6 albums (5 Studio + 1 Covers album) | Analogue Productions’ Remasters 2012

The discography of Norah Jones, an American jazz-pop singer, consists of five studio albums. Jones has won nine Grammy Awards and was 60th on Billboard magazine’s artists of the 2000–2009 decade chart. Throughout her career, Jones has won numerous awards and has sold more than 50 million albums worldwide. Billboard named her the top jazz artist of the 2000–2009 decade.

Norah Jones – Come Away With Me (2002) [SACD 2012]
PS3 Rip | ISO | DST64 5.1/DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 3,5 GB (3,76 GB)
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 45:13 min | Scans included | 950 MB
Blue Note / Analogue Productions # CAPP 042 SA

Tracklist:
01. Don’t Know Why
02. Seven Years
03. Cold Cold Heart
04. Feelin’ The Same Way
05. Come Away With Me
06. Shoot The Moon
07. Turn Me On
08. Lonestar
09. I’ve Got To See You Again
10. Painter Song
11. One Flight Down
12. Nightingale
13. The Long Day Is Over
14. The Nearness Of You

Norah Jones – Feels Like Home (2004) [SACD 2012]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,51 GB (1,85 GB)
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 46:20 min | Scans included | 983 MB
Blue Note / Analogue Productions # CAPP 043 SA

Tracklist:
01. Wish I Could
02. Sinkin’ Soon
03. The Sun Doesn’t Like You
04. Until The End
05. Not My Friend
06. Thinking About You
07. Broken
08. My Dear Country
09. Wake Me Up
10. Be My Somebody
11. Little Room
12. Rosie’s Lullaby
13. Not Too Late

Norah Jones – Not Too Late (2007) [SACD 2012]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,49 GB (1,83 GB)
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 45:42 min | Scans included | 984 MB
Blue Note / Analogue Productions # CAPP 044 SA

Tracklist:
01. Wish I Could
02. Sinkin’ Soon
03. The Sun Doesn’t Like You
04. Until The End
05. Not My Friend
06. Thinking About You
07. Broken
08. My Dear Country
09. Wake Me Up
10. Be My Somebody
11. Little Room
12. Rosie’s Lullaby
13. Not Too Late

Norah Jones – The Fall (2009) [SACD 2012]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,53 GB (1,84 GB)
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 45:58 min | Scans included | 991 MB
Blue Note / Analogue Productions # CAPP 045 SA

Tracklist:
01. Chasing Pirates
02. Even Though
03. Light As A Feather
04. Young Blood
05. I Wouldn’t Need You
06. Waiting
07. It’s Gonna Be
08. You’ve Ruined Me
09. Back To Manhattan
10. Stuck
11. December
12. Tell Yer Mama
13. Man Of The Hour

Norah Jones – Little Broken Hearts (2012) [SACD 2012]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,51 GB (1,8 GB)
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 44:49 min | Scans included | 970 MB
Blue Note / Analogue Productions # CAPP 046 SA

Tracklist:
01. Good Morning
02. Say Goodbye
03. Little Broken Hearts
04. She’s 22
05. Take It Back
06. After The Fall
07. 4 Broken Hearts
08. Travelin’ On
09. Out On The Road
10. Happy Pills
11. Miriam
12. All A Dream

Norah Jones – Covers (2012) [SACD 2012]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,14 GB (1,46 GB)
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 36:27 min | Scans included | 707 MB
Blue Note / Analogue Productions # CAPP 047 SA

Covers is a collection of ten rare and previously unreleased interpretations of classic songs from some of Norah’s favorite artists.

Tracklist:
01. Sleepless Nights
02. I’ll Be Your Baby Tonight
03. Jesus Etc. [Live]04. Sweet Dreams
05. Cry, Cry, Cry [Live]06. Picture In A Frame
07. Hands On The Wheel [Live]08. She
09. My Blue Heaven
10. Peace

SACD-R

http://www.datafile.com/d/TWpBeE16a3pOemsF9/Disc1ComeAwayWithMe2002SACDISO.part1.rar
http://www.datafile.com/d/TWpBeE16a3pPRFEF9/Disc1ComeAwayWithMe2002SACDISO.part2.rar
http://www.datafile.com/d/TWpBeE16a3pPVEUF9/Disc1ComeAwayWithMe2002SACDISO.part3.rar
http://www.datafile.com/d/TWpBeE16a3pPVGMF9/Disc1ComeAwayWithMe2002SACDISO.part4.rar

http://www.datafile.com/d/TWpBeE16azBNRE0F9/Disc2FeelsLikeHome2004SACDISO.part1.rar
http://www.datafile.com/d/TWpBeE16azBNRFkF9/Disc2FeelsLikeHome2004SACDISO.part2.rar
http://www.datafile.com/d/TWpBeE16azBNRGMF9/Disc2FeelsLikeHome2004SACDISO.part3.rar

http://www.datafile.com/d/TWpBeE16azBNVEkF9/Disc3NotTooLate2007SACDISO.part1.rar
http://www.datafile.com/d/TWpBeE16azBNVGMF9/Disc3NotTooLate2007SACDISO.part2.rar
http://www.datafile.com/d/TWpBeE16azBNVGcF9/Disc3NotTooLate2007SACDISO.part3.rar

http://www.datafile.com/d/TWpBeE16azBNVGsF9/Disc4TheFall2009SACDISO.part1.rar
http://www.datafile.com/d/TWpBeE16azBNak0F9/Disc4TheFall2009SACDISO.part2.rar
http://www.datafile.com/d/TWpBeE16azBNalEF9/Disc4TheFall2009SACDISO.part3.rar

http://www.datafile.com/d/TWpBeE16azBNelEF9/Disc5LittleBrokenHearts2012SACDISO.part1.rar
http://www.datafile.com/d/TWpBeE16azBOREEF9/Disc5LittleBrokenHearts2012SACDISO.part2.rar

http://www.datafile.com/d/TWpBeE16azBOVEUF9/Disc6Covers2012SACDISO.part1.rar
http://www.datafile.com/d/TWpBeE16azBOVE0F9/Disc6Covers2012SACDISO.part2.rar

or

http://rapidgator.net/file/f8f2aafb09fc7586c726cccc611aedd1/Disc1ComeAwayWithMe2002SACDISO.part1.rar.html
http://rapidgator.net/file/1aa368e3dc6ce76370020f4a6935f546/Disc1ComeAwayWithMe2002SACDISO.part2.rar.html
http://rapidgator.net/file/35bd434cb5773ebb21523a8ce98bf291/Disc1ComeAwayWithMe2002SACDISO.part3.rar.html
http://rapidgator.net/file/d08ccdf73361fb3340001a86c1c91aee/Disc1ComeAwayWithMe2002SACDISO.part4.rar.html

http://rapidgator.net/file/772e1cf51173b00b6192f4445f38145e/Disc2FeelsLikeHome2004SACDISO.part1.rar.html
http://rapidgator.net/file/aa296a5f91e68da388fc4de2c2d93aad/Disc2FeelsLikeHome2004SACDISO.part2.rar.html
http://rapidgator.net/file/f2793f9dbe30155b704dff599d8c022c/Disc2FeelsLikeHome2004SACDISO.part3.rar.html

http://rapidgator.net/file/2fbfadf9527d6cc917d75cb4252cece8/Disc3NotTooLate2007SACDISO.part1.rar.html
http://rapidgator.net/file/60e04fd8999d1b7e82a92d54786c5048/Disc3NotTooLate2007SACDISO.part2.rar.html
http://rapidgator.net/file/091fdef3e591d3202afb2cda9c40dd6f/Disc3NotTooLate2007SACDISO.part3.rar.html

http://rapidgator.net/file/b5740eac16e58136808dedf6d6b39a33/Disc4TheFall2009SACDISO.part1.rar.html
http://rapidgator.net/file/b34404fd84bcadf916ad2d55db442dc7/Disc4TheFall2009SACDISO.part2.rar.html
http://rapidgator.net/file/3c60ede5cb3ad1eb4ba9d473d6980e3c/Disc4TheFall2009SACDISO.part3.rar.html

http://rapidgator.net/file/bb3bbc0b400748748f898be96267042d/Disc5LittleBrokenHearts2012SACDISO.part1.rar.html
http://rapidgator.net/file/3963e38664b548b79739a57e647b6f00/Disc5LittleBrokenHearts2012SACDISO.part2.rar.html

 

http://rapidgator.net/file/6a01b307dd5c1ea05c35f219b5743fa2/Disc6Covers2012SACDISO.part1.rar.html
http://rapidgator.net/file/4f7e9a09651a52af4b9f93b54998548e/Disc6Covers2012SACDISO.part2.rar.html

FLAC 24-88.2

http://www.datafile.com/d/TWpBeE16a3lPVGcF9/Disc1ComeAwayWithMe2002FLAC2488.2.rar
http://www.datafile.com/d/TWpBeE16azFOVE0F9/Disc2FeelsLikeHome2004FLAC2488.2.rar
http://www.datafile.com/d/TWpBeE16a3pNVGMF9/Disc3NotTooLate2007FLAC2488.2.rar
http://www.datafile.com/d/TWpBeE16a3pOREEF9/Disc4TheFall2009FLAC2488.2.rar
http://www.datafile.com/d/TWpBeE16a3pOVGMF9/Disc5LittleBrokenHearts2012FLAC2488.2.rar
http://www.datafile.com/d/TWpBeE16a3pOelEF9/Disc6Covers2012FLAC2488.2.rar

or

 

http://rapidgator.net/file/60e0844ab091df0be74b9b46f8a26b0f/Disc1ComeAwayWithMe2002FLAC2488.2.rar.html
http://rapidgator.net/file/9a7f03516e3520a0e46dd8963a4219ea/Disc2FeelsLikeHome2004FLAC2488.2.rar.html
http://rapidgator.net/file/ceb540e3e861f874e42a141611b2b1ce/Disc3NotTooLate2007FLAC2488.2.rar.html
http://rapidgator.net/file/8cfc0cb27158641ac82f141ae6b65305/Disc4TheFall2009FLAC2488.2.rar.html
http://rapidgator.net/file/2a7c215350fb2d8aa8dd340af419a120/Disc5LittleBrokenHearts2012FLAC2488.2.rar.html
http://rapidgator.net/file/c1245fe6698e1c1949439a38cb2d3865/Disc6Covers2012FLAC2488.2.rar.html

The Gadd Gang – The Gadd Gang (1986) [Japanese Reissue 2008] {SACD-R + FLAC 24-88.2}

$
0
0

The Gadd Gang – The Gadd Gang (1986) [Japanese Reissue 2008]
PS3 Rip | SACD ISO | DSD/DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 37:21 minutes | Scans included | 3,18 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 805 MB
Remix 2007 | Features 2.0 Stereo and 5.1 multichannel surround sound | Sony Music Japan # SICP 10098
Genre: Jazz

Although he has appeared on a countless number of studio sessions, this release was (with the exception of an obscure Japanese date in 1984) drummer Steve Gadd’s debut as a leader. The Gadd Gang (comprised of the drummer, guitarist Cornell Dupree, bassist Eddie Gómez and Richard Tee on keyboards) was a likable unit that blended together jazz, R&B and some groovin’ funk. With the addition of a horn section arranged by David Matthews, the group plays Bob Dylan’s “Watching the River Flow,” and Wilton Felder’s “Way Back Home,” a medley of “Honky Tonk” and “I Can’t Stop Loving You,” and some basic band originals that can appeal to a wide audience.

Tracklist:
01. Watching The River Flow
02. Strength
03. Way Back Home
04. Morning Love
05. Duke’s Lullaby
06. Everything You Do
07. Honky Tonk/I Can’t Stop Loving You

Remixed & Mastered at Sony Music Studios, Tokyo in September-October 2007
Surround Sound Remix by Jay Messina. Stereo & Surround Mastering by Koji Suzuki.

Personnel
Steve Gadd — Percussion, Conga, Drums
Cornell Dupree — Guitar
Richard Tee — Piano, Organ (Hammond)
Eddie Gomez — Bass
+
Michael Brecker — Sax (Tenor)
Jon Faddis — Trumpet
George Young — Sax (Tenor)
Ronnie Cuber — Horn, Sax (Baritone)
Barry Rogers — Trombone
Lew Soloff — Trumpet
David Taylor — Trombone

SACD-R

http://www.datafile.com/d/TWpBeU1ESXlNVFEF9/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part1.rar
http://www.datafile.com/d/TWpBeU1ESXlNVEEF9/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part2.rar
http://www.datafile.com/d/TWpBeU1ESXlNemcF9/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part3.rar
http://www.datafile.com/d/TWpBeU1ESXlOakEF9/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part4.rar
http://www.datafile.com/d/TWpBeU1ESXlOakUF9/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part5.rar
http://www.datafile.com/d/TWpBeU1ESXlNRGcF9/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part6.rar
or
http://rapidgator.net/file/f2f1436e12459d322e6f0d3ec8de83aa/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part1.rar.html
http://rapidgator.net/file/fded50c4508036d4c7d9098104e4a360/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part2.rar.html
http://rapidgator.net/file/af5e7d978afd4ce2619aaf200267be4a/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part3.rar.html
http://rapidgator.net/file/ff73956c5ec874bbc73b5a51245e881f/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part4.rar.html
http://rapidgator.net/file/f521af585529178a0fc4ed0791cbeafe/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part5.rar.html
http://rapidgator.net/file/f9019cc7ef8132a411e3cb7554ad7c04/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008SACDISO.part6.rar.html

FLAC 24-88.2

http://www.datafile.com/d/TWpBeU1ESXhPVGMF9/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008FLACStereo2488.2.part1.rar
http://www.datafile.com/d/TWpBeU1ESXhNamcF9/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008FLACStereo2488.2.part2.rar
or
http://rapidgator.net/file/1e8f328eb09387f0f8c5777cff3d8270/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008FLACStereo2488.2.part1.rar.html
http://rapidgator.net/file/a1fdabda99699c59c9587f4faac3df71/24bit.pwTheGaddGangTheGaddGang1986JapaneseReissue2008FLACStereo2488.2.part2.rar.html

VA-Bar Classics 12-2CD-FLAC-2016-NBFLAC

$
0
0

VA-Bar Classics 12-2CD-FLAC-2016-NBFLAC Download

VA-Bar Classics 12-2CD-FLAC-2016-NBFLAC

Release Name: VA-Bar_Classics_12-2CD-FLAC-2016-NBFLAC
Artist: VA
Album: Bar Classics 12
Genre: Jazz
Year: 2016
Tracks: 31
Duration: 02:19:07
Size: 644.25 MB

Tracklist:

  1. Stacey Kent – In the Wee Small Hours of th..<br>In the Wee Small Hours of the Morning – 3:28 (535 kbps , 13.29 MB)
  2. Chet Baker – She Was Too Good to Me – 4:44 (697 kbps , 23.64 MB)
  3. Hugh Coltman – Pretend – 4:07 (702 kbps , 20.66 MB)
  4. Ray Conniff &amp; His Orchestra – As Time Goes By – 3:00 (696 kbps , 14.9 MB)
  5. Tony Bennett – Close Enough for Love – 4:28 (828 kbps , 26.46 MB)
  6. Dave Brubeck – La Paloma Azul – 6:11 (608 kbps , 26.88 MB)
  7. Dee Dee Bridgewater – Come Sunday – 4:48 (858 kbps , 29.43 MB)
  8. Sachal – Neither One of Us (Want to B..<br>Neither One of Us (Want to Be the First to Say Goodbye) – 4:10 (681 kbps , 20.33 MB)
  9. Miles Davis – Baby Won’t You Please Come H..<br>Baby Won’t You Please Come Home – 8:27 (767 kbps , 46.33 MB)
  10. Robert Downey Jr. – Smile – 3:50 (609 kbps , 16.71 MB)
  11. Rusconi – Stadtmitte – 4:06 (806 kbps , 23.65 MB)
  12. Cuba Nova – Agua – 5:24 (868 kbps , 33.56 MB)
  13. Diana Krall – La vie en rose – 5:51 (745 kbps , 31.16 MB)
  14. Bill Evans – B&#233;same mucho – 6:54 (695 kbps , 34.34 MB)
  15. Einaudi – I giorni – 6:02 (446 kbps , 19.23 MB)
  16. Chopin / Glazunov – Etude, op 25 Nr. 7 – 5:13 (615 kbps , 22.93 MB)
  17. Mascagni – Cavalleria rusticana – Inter..<br>Cavalleria rusticana – Intermezzo – 3:13 (642 kbps , 14.74 MB)
  18. Mozart – Das Traumbild – 2:29 (550 kbps , 9.8 MB)
  19. Streisand – Evergreen – 3:45 (522 kbps , 14 MB)
  20. Beethoven / Bruno B&#246;hmer Cam..<br>Beethoven / Bruno B&#246;hmer Camacho u.a. – Mondschein I – 4:07 (477 kbps , 14.05 MB)
  21. Raff – Cavatina – 3:45 (660 kbps , 17.69 MB)
  22. Mozart – Adagio in Es-Dur – 4:18 (596 kbps , 18.32 MB)
  23. Brahms – Sonate Nr. 1 in F-Moll, II. ..<br>Sonate Nr. 1 in F-Moll, II. Andante un poco Adagio – 5:19 (572 kbps , 21.77 MB)
  24. Bacalov / Redford /Bell – II postino – 3:45 (683 kbps , 18.31 MB)
  25. Bach – Goldberg-Variationen – Aria – 4:52 (526 kbps , 18.29 MB)
  26. Tschaikowski – Valse sentimentale – 2:15 (574 kbps , 9.25 MB)
  27. Waits – In the neighbourhood – 2:22 (653 kbps , 11.04 MB)
  28. Liszt / Renie – Le rossignol – 4:50 (448 kbps , 15.49 MB)
  29. Schubert – Auf dem Wasser zu singen – 3:43 (576 kbps , 15.31 MB)
  30. Richter – Wiegenlied – 3:50 (547 kbps , 14.99 MB)
  31. Haydn / Leleux – Konzert f&#252;r 2 Liren Nr. 4 in..<br>Konzert f&#252;r 2 Liren Nr. 4 in F-Dur, II Andante – 6:07 (633 kbps , 27.71 MB)

Download Links :

http://rapidgator.net/file/b99a3f483cf8b3a32496e8e878b2c38d/VA-Bar_Classics_12-2CD-FLAC-2016-NBFLAC.rar.html

or

http://www.datafile.com/d/TWpBeU5qY3hNekkF9/VA-Bar_Classics_12-2CD-FLAC-2016-NBFLAC.rar

Emilie-Claire Barlow – Clear Day (2015/2016) [HRA DSD64/2.82MHz + FLAC 24bit/88,2kHz]

$
0
0

Emilie-Claire Barlow – Clear Day (2015/2016)
DSD64 (.dsf) 1 bit/2,8 MHz | Time – 66:43 minutes | 2,64 GB | Genre: Jazz
FLAC (tracks) 24-bit/88,2 kHz | Time – 66:43 minutes | 1,17 GB
Studio Master, Official Digital Download – Source: HighResAudio | Artwork: Digital booklet | ©  2xHD

Emilie-Claire Barlow continues to endear herself with her relaxed, polished demeanour, her charming humour, and a VOICE OF UNFORGETTABLE BEAUTY. Canada’s incomparable vocal jazz jewel, Emilie-Claire Barlow’s 10th album is all about big change. It has a big sound, backed by Netherland’s 69-musician-strong Metropole Orkest conducted by Jules Buckley, which accompanies Barlow’s five-piece band. This album is fresh, it sounds big, arranged to perfection, record & mastered with surgical precision but at the end of the day it is all about Emilie’s flawless voice.

The Juno award-winning Emilie-Claire Barlow is now clearly established as one of Canada’s very best jazz vocalists. She has also developed into an ace arranger, and both talents coalesce to stunning effect on Clear Day, the most ambitious offering yet in a prolific discography (it’s her 11th album). Her interpretive gifts and pure vocals are displayed in fresh versions of tunes from a wide range of artists (Joni Mitchell, Paul Simon and Van Morrison to Coldplay, David Bowie and Queen, and Pat Metheny). All the songs were chosen to help tell the chronological story of a recent emotionally turbulent period in her life. Barlow and co-producer Steve Webster recruited Amsterdam’s world-renowned 70-piece Metropole Orkest (Elvis Costello) and conductor Jules Buckley to bring some of these songs a gloriously rich orchestral sound.

Tracklist:
01 – Amundsen
02 – On a Clear Day You Can See Forever
03 – Midnight Sun
04 – Because
05 – Fix You
06 – Unrequited
07 – Under Pressure
08 – Si J’etais un Homme
09 – (It’s Just) Talk
10 – The 59th Street Bridge Song (Feelin’ Groovy)
11 – La Llorona
12 – I Don’t Know Where I Stand
13 – Sweet Thing
14 – Mineiro de Coração

Produced by Emilie-Claire Barlow & Steve Webster.
DSD version separately generated directly from the analog signal.
2xHD mastering by René Laflamme. 2xHD Executive Producer André Perry.

DSD64:

http://www.datafile.com/d/TWpBek5Ua3dOamMF9/24bit.pw_3mili3Clair3BarlowCl3arDay20152016HRADSD64.part1.rar
http://www.datafile.com/d/TWpBek5Ua3dOalkF9/24bit.pw_3mili3Clair3BarlowCl3arDay20152016HRADSD64.part2.rar
http://www.datafile.com/d/TWpBek5Ua3dOekUF9/24bit.pw_3mili3Clair3BarlowCl3arDay20152016HRADSD64.part3.rar
http://www.datafile.com/d/TWpBek5Ua3dOekEF9/24bit.pw_3mili3Clair3BarlowCl3arDay20152016HRADSD64.part4.rar
or
http://rapidgator.net/file/3dbb271a63b515c93f69f2824e6e7442/24bit.pw_3mili3Clair3BarlowCl3arDay20152016HRADSD64.part1.rar.html
http://rapidgator.net/file/2a5d7bdb4b5287273529dba7efd43358/24bit.pw_3mili3Clair3BarlowCl3arDay20152016HRADSD64.part2.rar.html
http://rapidgator.net/file/a3600067b62e3e777e1da9f5b6ed8cff/24bit.pw_3mili3Clair3BarlowCl3arDay20152016HRADSD64.part3.rar.html
http://rapidgator.net/file/2e85a941a9a76d43020988e02613ae2c/24bit.pw_3mili3Clair3BarlowCl3arDay20152016HRADSD64.part4.rar.html

FLAC

http://www.datafile.com/d/TWpBek5Ua3dOek0F9/24bit.pw_3mili3Clair3BarlowCl3arDay2015FLAC24882.part1.rar
http://www.datafile.com/d/TWpBek5Ua3dOekkF9/24bit.pw_3mili3Clair3BarlowCl3arDay2015FLAC24882.part2.rar
or
http://rapidgator.net/file/0d140e440410dfd8c675ff10c6869c70/24bit.pw_3mili3Clair3BarlowCl3arDay2015FLAC24882.part1.rar.html
http://rapidgator.net/file/276e64e4f47399ade68c7835fb30aa4d/24bit.pw_3mili3Clair3BarlowCl3arDay2015FLAC24882.part2.rar.html

Emilie-Claire Barlow – Live in Tokyo (2014/2015) [HRA DSD64/2.82MHz + FLAC 24bit/88,2kHz]

$
0
0

Emilie-Claire Barlow – Live In Tokyo (2014/2015)
DSD64 (.dsf) 1 bit/2,8 MHz | Time – 50:33 minutes | 2,05 GB | Genre: Jazz
FLAC (tracks) 24-bit/88,2 kHz | Time – 50:33 minutes | 972 MB
Studio Master, Official Digital Download  – Source: HighResAudio | Artwork: Digital booklet | @ 2xHD

Live in Tokyo will make you relive the beauty and the absolute joy of an Emilie-Claire Barlow concert experience..

Canada’s incomparable vocal-jazz jewel is dazzling the world and her energetic live performances have been thrilling sold-out audiences from Tokyo to Montréal. This Juno Award and National Jazz Award winning starlet leads her world class band through innovative arrangements of American-songbook treasures, rhythmic bossa novas and elegant ballads. Fresh off a career year, including a Juno win for Vocal Jazz Album of the Year, Emilie-Claire’s sultry, “smooth as fine silk” voice and playful humour keep the audience glowing throughout her beautiful and mesmerizing performances.

Tracklist:
01 – Butch Cassidy and the Sundance Kid: Raindrops keep fallin’ on my head
02 – Sadie McKee: All I do is dream of you
03 – Aguas de marco (Waters of March)
04 – Oklahoma!: The Surrey with the Fringe on Top
05 – (I’ve Got) Just About Everything I Need
06 – Sunshine Superman
07 – Like a Lover
08 – La belle dame sans regrets
09 – These Boots Are Made for Walkin’
10 – The Beat Goes On
11 – Blame It On My Youth

Produced by Emilie-Claire Barlow. Recorded by Taro Moriyama.
Recorded at COTTON CLUB, Tokyo on October 14 & 15, 2013.
2xHD mastering by René Laflamme. 2xHD Executive Producer André Perry.

The original recording was mixed in DSD2. It was mastered with the 2xHD process, using exceptionally high-end audiophile components and connectors such as Pyramix masscore, dCS Vivaldi in this case. The components are selected and tailored for each project in order to create the most accurate reproduction of the original recording and to preserve the dynamics of the original master.

DSD64:

http://www.datafile.com/d/TWpBek5Ua3dOelkF9/24bit.pw_3mili3Clair3BarlowLiv3InTokyo20142015HRADSD64.part1.rar
http://www.datafile.com/d/TWpBek5Ua3dOemMF9/24bit.pw_3mili3Clair3BarlowLiv3InTokyo20142015HRADSD64.part2.rar
http://www.datafile.com/d/TWpBek5Ua3dOemsF9/24bit.pw_3mili3Clair3BarlowLiv3InTokyo20142015HRADSD64.part3.rar
http://www.datafile.com/d/TWpBek5Ua3dOemcF9/24bit.pw_3mili3Clair3BarlowLiv3InTokyo20142015HRADSD64.part4.rar
or
http://rapidgator.net/file/ce5cb910ba0dec0d415aaf5859ae0f1b/24bit.pw_3mili3Clair3BarlowLiv3InTokyo20142015HRADSD64.part1.rar.html
http://rapidgator.net/file/8b07b3cafe39c4187240cf9ead7a3cb1/24bit.pw_3mili3Clair3BarlowLiv3InTokyo20142015HRADSD64.part2.rar.html
http://rapidgator.net/file/375184755f81051fad7cd174dbfad192/24bit.pw_3mili3Clair3BarlowLiv3InTokyo20142015HRADSD64.part3.rar.html
http://rapidgator.net/file/dc3f284e52e72143b1ff57dc6fa08de0/24bit.pw_3mili3Clair3BarlowLiv3InTokyo20142015HRADSD64.part4.rar.html

FLAC:

http://www.datafile.com/d/TWpBek5Ua3dPREUF9/24bit.pw_3mili3Clair3BarlowLiv3InTokyo2014FLAC24882.part1.rar
http://www.datafile.com/d/TWpBek5Ua3dPREEF9/24bit.pw_3mili3Clair3BarlowLiv3InTokyo2014FLAC24882.part2.rar
or
http://rapidgator.net/file/c40acbd48d459467cf2e13a5af5c0bad/24bit.pw_3mili3Clair3BarlowLiv3InTokyo2014FLAC24882.part1.rar.html
http://rapidgator.net/file/c6f54f0350da61c44dcddb1769611f00/24bit.pw_3mili3Clair3BarlowLiv3InTokyo2014FLAC24882.part2.rar.html

Emilie-Claire Barlow – The Very Thought Of You (2007/2015) [HRA DSD64/2.82MHz + FLAC 24bit/88,2kHz]

$
0
0

Emilie-Claire Barlow – The Very Thought Of You (2007/2015)
DSD64 (.dsf) 1 bit/2,8 MHz | Time – 58:18 minutes | 2,3 GB \ Genre: Jazz
FLAC (tracks) 24-bit/88,2 kHz | Time – 58:18 minutes | 1,07 GB
Studio Master, Official Digital Download  – Source: HighResAudio | Artwork: Digital booklet | ©  2xHD

Here’s another gem from Emilie-Claire Barlow, a jazz singer whose unique voice and personal interpretations warmly embrace this collection of classic standards, many from the American songbook. On this occasion, Emilie-Claire chose to include the often ignored verses in the tradition of Frank Sinatra and Tony Bennet. This album was nominated ‘Vocal Jazz Album of the Year’ at the Juno Awards.

Named after the 1934 Ray Noble-penned standard made famous by Bing Crosby, The Very Thought of You is the sixth studio album from Canadian jazz vocalist Emilie-Claire Barlow. Released in 2007, it features silky-smooth renditions of Nat King Cole’s “Almost Like Being in Love,” Billie Holiday ‘s “What a Little Moonlight Can Do,” and Mama Cass’ “Dream a Little Dream of Me” alongside interpretations of hits from various musicals including Guys and Dolls, Oklahoma!, and Pennies from Heaven.

Tracklist:
01 – The Very Thought of You
02 – Almost Like Being In Love
03 – O Pato (The Duck)
04 – Les yeux ouverts (Dream a Little Dream of Me)
05 – Pennies From Heaven
06 – What a Little Moonlight Can Do
07 – Surrey With The Fringe On Top
08 – My Time Of Day / I’ve Never Been In Love Before
09 – C’est si bon
10 – De Conversa Em Conversa
11 – The Boy Next Door
12 – So Many Stars

DSD64:

http://www.datafile.com/d/TWpBek5Ua3dPREkF9/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou20072015HRADSD64.part1.rar
http://www.datafile.com/d/TWpBek5Ua3dPRE0F9/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou20072015HRADSD64.part2.rar
http://www.datafile.com/d/TWpBek5Ua3dPRGcF9/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou20072015HRADSD64.part3.rar
http://www.datafile.com/d/TWpBek5Ua3dPRFUF9/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou20072015HRADSD64.part4.rar
or
http://rapidgator.net/file/2c2c0297c3ff04457b8166fbb61ff935/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou20072015HRADSD64.part1.rar.html
http://rapidgator.net/file/a9dad3dc0f387e29a114d2339a5e2f24/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou20072015HRADSD64.part2.rar.html
http://rapidgator.net/file/18cc2c8c4889373b23c9b07248a6b1d3/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou20072015HRADSD64.part3.rar.html
http://rapidgator.net/file/c97a87f2f9da2da68ea42cedee9ac60a/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou20072015HRADSD64.part4.rar.html

FLAC 24-88.2

http://www.datafile.com/d/TWpBek5Ua3dPVEEF9/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou2007FLAC24882.part1.rar
http://www.datafile.com/d/TWpBek5Ua3dPVEUF9/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou2007FLAC24882.part2.rar
or
http://rapidgator.net/file/352f1df5a0687eecf3b56f3905d9f0c3/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou2007FLAC24882.part1.rar.html
http://rapidgator.net/file/d4a36d634e99b4b8bfaa415aa05468e2/24bit.pw_3mili3Clair3BarlowTh3V3ryThoughtOfYou2007FLAC24882.part2.rar.html

Enrico Rava – New York Days (2009) [Qobuz 24-96]

$
0
0

Enrico Rava – New York Days (2009)
FLAC (tracks) 24 bit/96 kHz | Time – 01:17:05 minutes | 1,26 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: Qobuz | @ ECM Records GmbH
Recorded: February 2008 at Avatar Studios, New York

A new transatlantic quintet headed by Italian trumpeter Rava, recorded in New York in 2008 and a first ECM appearance for US tenorist Mark Turner, whose distilled, lean sound references Coltrane, Warne Marsh, Wayne Shorter and others. Turner’s searching, analytical tone is in marked contrast to Enrico’s lyrical flourishes, but the two make a fascinating pairing – especially with the resolutely musical pianist Stefano Bollani finding points of contact, and making his own statements. Add in the gifted bassist Larry Grenadier (last heard on ECM with Charles Lloyd) and that most unpredictable of all drummers, Paul Motian, and you have here a truly remarkable band.

The neo-noir textures of Italian trumpeter Enrico Rava’s fine ECM release, NEW YORK DAYS, recall evocative, jazz-based film scores such as Gato Barbieri’s LAST TANGO IN PARIS or Miles Davis’s ELEVATOR TO THE GALLOWS. Joined by a stellar cast, including the fine pianist Stefano Bollani, contemporary tenor saxophonist Mark Turner, and the apparently ageless Paul Motian on drums, Rava conjures a rain-soaked, black-and-white urban fantasia on a finely produced, 77-minute set of moody originals. Rava, Turner, and Bollani are all strong stylists, however, so there is little danger of their being fully submerged in the impressionistic dark waters. At times, the sound resembles the post-bop chamber jazz of Miles’s celebrated ’60s quintet, at others, the upscale European strains of film composer Nino Rota or tango master Astor Piazzolla. Either way, NEW YORK DAYS is one of the outstanding jazz releases of 2009. — AllMusic Review by Richard Mortifoglio

Tracklist:
1. Lulù 09:28
2. Improvisation I 04:24
3. Outsider 06:17
4. Certi Angoli Segreti 10:55
5. Interiors 10:42
6. Thank You, Come Again 07:06
7. Count Dracula 03:20
8. Luna Urbana 07:39
9. Improvisation II 07:52
10. Lady Orlando 05:32
11. Blancasnow 04:23

Personnel:
Enrico Rava, trumpet
Stefano Bollani, piano
Mark Turner, tenor saxophone
Larry Grenadier, double bass
Paul Motian, drums

Download:

http://www.datafile.com/d/TWpBek5Ua3hNRFUF9/24bit.pw_3nricoRavaN3wYorkDays2009Qobuz2496.part1.rar
http://www.datafile.com/d/TWpBek5Ua3hNRFkF9/24bit.pw_3nricoRavaN3wYorkDays2009Qobuz2496.part2.rar
or
http://rapidgator.net/file/3aa1a6441a7c75dc63cee2e58e777994/24bit.pw_3nricoRavaN3wYorkDays2009Qobuz2496.part1.rar.html
http://rapidgator.net/file/2147068c70017ab88e43087eb69b4cd5/24bit.pw_3nricoRavaN3wYorkDays2009Qobuz2496.part2.rar.html


Enrico Rava Quartet with Gianluca Petrella – Wild Dance (2015) [HDTracks 24-96]

$
0
0

Enrico Rava Quartet with Gianluca Petrella – Wild Dance (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:40 minutes | 1,19 GB | Genre: Jazz
Studio Master, Official Digital Download – Source: Q0buz | @ ECM Records GmbH
Recorded: January 2015, Artesuono Recording Studios, Udine

A cross-generational project by the grand master of Italian Jazz. Energized by joyous experiences on the road the ever youthful Enrico Rava took his new working quartet of the last two years into Arte Suono Studio in Udine. Here they were joined by trombonist Gianluca Petrella, an internationally noted player through his contributions to Rava’s three acclaimed post-millennium quintet albums Tribe (2011), The Words & The Days (2005) and Easy Living (2003). With Manfred Eicher producing, the five Italians recorded a program of Rava originals which cover a broad range of moods – from brooding ballad playing to fiery uptempo post-bop. Once again Rava’s playing makes it clear that lightness and intensity, elegant cool and emotional warmth are no opposites. Rava and Petrella form a peerless two-horn frontline, whether playing in unison, engaging in dialogue or taking their turns in extensive soloing. The rhythm section of Gabriele Evangelista, Enrico Morello, (“in my opinion the number one drummer in Italy today”, says Rava) and guitarist Francesco Diodati give them both space and assured support.

The senior statesman, and easily the most recognizable name in Italian jazz, trumpeter Enrico Rava returns with a revised quintet line up on Wild Dance. Rava, who early in his career worked with saxophonist Steve Lacy, pianist Mal Waldron and trombonist Roswell Rudd, later went on to team with drummer Tony Oxley and sit in with the Global Unity Orchestra. His free jazz pedigree belies the fact that Rava has more often leaned toward the lyrical while incorporating his own liberal style of invention.
Two of the three most recent Rava releases, Rava on the Dance Floor (ECM, 2012) and The Monash Sessions (Jazzhead 2013) have featured the trumpeter in the company of rather large ensembles. Not since the alternating quintet/sextet of Tribe (ECM, 2011), has Rava recorded in the relatively smaller combo setting. Trombonist Gianluca Petrella and bassist Gabriele Evangelista return from the aforementioned outing, joined by new arrivals, Francesco Diodati on guitar and drummer Enrico Morello.
Rava has an understandable fondness for the trumpet-trombone interaction; the trombone being his first instrument before teaching himself the trumpet. He and Petrella engage in harmonies or counter each other in discourse and generally make for an unsurpassed brass frontline in addition to their many solo opportunities. Morello shows a deft touch in directing the music through Rava’s many complex shifts. It is Diodati however, that is a major find here. The guitarist plays in a crystal clear, straight-forward style when he is up front and churns out airy harmonies when directly supporting Rava.
“Diva,” the first of fourteen original compositions, and the subsequent “Space Girl” are airy but with dark undertones and both showcase the dynamics between Diodati and Rava. The latter features some fine playing from Evangelista as well. The bassist also sets the stage for the looser “Don’t,” opening the program to the wild part of Wild Dance. That sense of abandon is more fully realized with “Infant” where structures are fleeting and improvisation is more antagonistic. Rava wisely disseminates styles throughout the collection, allowing breathing time as on the gentle “Sola,” then slowly rebuilding the fire on “Not Funny.” The title track lives up to its name as it veers from lyrical to near experimental.
Rava peppers the album with an array of sounds from the mysterious—but lively—”F. Express” to fragmented inventiveness of “Cornette” and the collectively written “Improvisation.” A small number of tracks are refreshed versions of older Rava compositions and they are comfortably at home with the newer material. Rather than settling down, the trumpeter continues to explore new ways of expressing himself in a variety of settings. While Rava maintains his method of using the middle and upper registers in a specific and functional manner, there is little about his work that does not completely engage. Wild Dance is the most satisfying of his albums in this decade. –Karl Ackermann, All About Jazz

Tracklist:
1. Diva 07:38
2. Space Girl 07:20
3. Don’t 04:45
4. Infant 03:07
5. Sola 04:44
6. Not Funny 02:55
7. Wild Dance 02:59
8. F. Express 04:41
9. Cornette 03:11
10. Overboard 05:21
11. Happy Shades 02:53
12. Monkitos 03:41
13. Improvisation 05:21
14. Frogs 08:04

Personnel:
Enrico Rava: trumpet
Francesco Diodati: guitar
Gabriele Evangelista: double bass
Enrico Morello: drums
with
Gianluca Petrella: trombone

Download:

http://www.datafile.com/d/TWpBek5Ua3hNRGcF9/24bit.pw_3nricoRavaQuart3twithGianlucaP3tr3llaWildDanc32015HDTracks2496.part1.rar
http://www.datafile.com/d/TWpBek5Ua3hNRGsF9/24bit.pw_3nricoRavaQuart3twithGianlucaP3tr3llaWildDanc32015HDTracks2496.part2.rar
or
http://rapidgator.net/file/9a1e0d8c65bba5a0a1dad013e4618b77/24bit.pw_3nricoRavaQuart3twithGianlucaP3tr3llaWildDanc32015HDTracks2496.part1.rar.html
http://rapidgator.net/file/89c5a5c7596d3de5cae0ea210f3a53c1/24bit.pw_3nricoRavaQuart3twithGianlucaP3tr3llaWildDanc32015HDTracks2496.part2.rar.html

Epically Cracked – Epically Cracked (2016) [Bandcamp 24-44,1]

$
0
0

Epically Cracked – Epically Cracked (2016)
FLAC (tracks) 24-bit/44,1 kHz | Time – 38:00 minutes | 415 MB | Genre: Jazz
Studio Master, Official Digital Download – Source: Bandcamp | Artwork: Front cover

Epically Cracked is among the vanguard of new artists fusing jazz, funk, rock and electronic music in exhilarating and musically rewarding ways. April Fletcher’s bass is deep in the pocket, hard-grooving and emotionally poignant by turns. Andre LaFosse marries his raw yet effortlessly melodic guitar with thrilling electronic interpolations for a boundary-breaking sound brushed with psychedelia. Lisa Edelman’s trumpet and flugelhorn ground the music in its jazz roots while daringly incorporating unique mind-bending distortion effects. The whole sound is punched along by Chuck van Haecke’s muscular yet intensely thought-through drumming. This is a crack unit with a fully realized musical conception, well worth your time to study, contemplate, and most of all, dig. – JazzTimes Magazine

Tracklist:
01 – Boots
02 – Haberdashery
03 – Slide
04 – Pieces Lost
05 – Hopscotch
06 – Da Daa
07 – One Breath By One

Tracks 1, 3, 5 and 6 composed by April Fletcher.
Tracks 4 and 7 composed by Charles T. van Haecke.
Track 2 composed by Andre LaFosse.

All songs produced and arranged by Epically Cracked.
Recorded by Scott Fraser at Architecture. Edited by Chuck van Haecke.
Mixed and Mastered by Andre LaFosse.

Musicians:
Andre LaFosse – Guitar and Electronics
Lisa Edelman – Trumpet, Flugelhorn and more Effects
April Fletcher – Bass
Chuck van Haecke – Drums

Download:

http://www.datafile.com/d/TWpBek5Ua3hNVEEF9/24bit.pw_3picallyCrack3d3picallyCrack3d2016Bandcamp24441.rar
or
http://rapidgator.net/file/f68ab1488252b854842864e0a44c3608/24bit.pw_3picallyCrack3d3picallyCrack3d2016Bandcamp24441.rar.html

Esperanza Spalding – Emily’s D+Evolution {Deluxe Edition} (2016) [PonoMusic 24-96]

$
0
0

Esperanza Spalding – Emily’s D+Evolution (2016) [Deluxe Edition]
FLAC (tracks) 24-bit/96 kHz | Time – 59:22 minutes | 1,35 GB | Genre: Jazz
Studio Master, Official Digital Download – Source: Pono Music | Artwork: Front cover | @ Concord Records

Esperanza Spalding presents her latest project Emily’s D+Evolution a rekindling of her childhood interest in theater, poetry and movement, which delves into a broader concept of performance. Taking a new approach to her on-stage persona, the remarkable Spalding taps into new creative energy, delivering musical vignettes inspired during a “sleepless night of full moon inspiration”. As she puts it, “Emily is my middle name, and I’m using this fresh persona as my inner navigator. This project is about going back and reclaiming un-cultivated curiosity, and using it as a compass to move forward and expand. My hope for this group is to create a world around each song, there are a lot of juicy themes and stories in the music. We will be staging the songs as much as we play them, using characters, video, and the movement of our bodies”.

On previous albums, Grammy-winning bassist and vocalist Esperanza Spalding dived into jazz standards, Brazilian rhythms, and sophisticated, harmonically nuanced R&B. But with her 2016 album, Emily’s D+Evolution, she takes an entirely different approach. A concept album revolving around a central character named Emily (Spalding’s middle name), Emily’s D+Evolution is not a jazz album – though jazz does inform much of the music here. Instead, Spalding – who also co-produced the album alongside legendary producer Tony Visconti (David Bowie) – builds the release largely around angular, electric guitar-rich prog rock, kinetic, rhythmically rich jazz fusion, and lyrically poetic pop. Of course, Spalding’s version of pop is never predictable, always harmonically inventive, and frequently imbued with as many improvisational moments as possible within the boundaries of a given song. But relative to her previous releases, this is still a significant shift. Helping to bring Emily’s D+Evolution to life is a band Spalding put together specifically for this project, including guitarist Matthew Stevens, drummer Karriem Riggins, keyboardist Corey King, and others. Conceptually, the character of Emily represents Spalding as a young girl, and works as a conduit through which she explores and unpacks complex ideas about life, love, sex, race, education, and the creative process. While it would be reductive to call Emily’s D+Evolution a retro album, Spalding’s harmonic and melodic content and production aesthetics definitely have a ’70s quality. Cuts like “Earth to Heaven” and “Noble Nobles” bring to mind the forward-thinking sound of singer/songwriter Joni Mitchell’s work with jazz artists like Wayne Shorter and Jaco Pastorius, whose liquid bass style is an obvious antecedent to Spalding’s approach here. While Spalding never sounds anything less than original on the album, part of the beauty here is in recognizing her inspirations and reveling in how she has made them her own. “Elevate or Operate” sounds like a serpentine Steely Dan melody, sung with Valkyrian agility over a strident, Dr. Dre-friendly militaristic beat. Similarly, “One” brings to mind Mitchell’s soaring vocal style, set against a Greek chorus of harmonized backing vocals and accented by Stevens’ cascading guitar lines, like something John McLaughlin would do with Mahavishnu Orchestra. Elsewhere, tracks like “Good Lava” and “Funk the Fear” reveal Spalding’s swaggering, inner rock goddess and sound like a fantasy collaboration between Frank Zappa and Jimi Hendrix. While Spalding has long been a virtuoso bassist and commanding, lithe vocalist, she’s developed into a gifted songwriter with a poet’s sense for imagistic, emotionally resonant lyrics. It’s a formidable combination best represented here by the epic “Ebony and Ivy.” Bookended with a machine-gun-fire spoken word poem, the song allows Spalding as Emily to explore a mythic childhood netherworld in which she ambitiously juxtaposes the joys of learning from the natural world and the desire for a formal education against historical notions of how science was, ironically, used to justify slavery. She sings, “It’s been hard to grow outside/Growin’ good and act happy/And pretend that the ivy vines/Didn’t weigh our branches down.”

Tracklist:
01 – Good Lava
02 – Unconditional Love
03 – Judas
04 – Earth To Heaven
05 – One
06 – Rest In Pleasure
07 – Ebony And Ivy
08 – Noble Nobles
09 – Farewell Dolly
10 – Elevate Or Operate
11 – Funk The Fear
12 – I Want It Now
13 – Change Us
14 – Unconditional Love (Alternate Version)

Download:

http://www.datafile.com/d/TWpBek5Ua3hNekUF9/24bit.pw_3sp3ranzaSpalding3milysD3volutionD3lux33dition2016Pono2496.part1.rar
http://www.datafile.com/d/TWpBek5Ua3hNemMF9/24bit.pw_3sp3ranzaSpalding3milysD3volutionD3lux33dition2016Pono2496.part2.rar
http://www.datafile.com/d/TWpBek5Ua3hNekkF9/24bit.pw_3sp3ranzaSpalding3milysD3volutionD3lux33dition2016Pono2496.part3.rar
or
http://rapidgator.net/file/8bedaa2c9c62b59ace05d5570de9fb63/24bit.pw_3sp3ranzaSpalding3milysD3volutionD3lux33dition2016Pono2496.part1.rar.html
http://rapidgator.net/file/c70d414745e2bcd27a9aa0c26bff1bc9/24bit.pw_3sp3ranzaSpalding3milysD3volutionD3lux33dition2016Pono2496.part2.rar.html
http://rapidgator.net/file/5a116278880b579e5ac408f7f2dd9e34/24bit.pw_3sp3ranzaSpalding3milysD3volutionD3lux33dition2016Pono2496.part3.rar.html

Etta Jones – Don’t Go To Strangers (1960/2014) [Qobuz 24-44,1]

$
0
0

Etta Jones – Dont Go To Strangers (1960/2014)
FLAC (tracks) 24 bit/44,1 kHz | Time – 00:41:04 minutes | 427 MB | Genre: Jazz
Studio Master, Official Digital Download  – Source: Q0buz | @ Prestige Records/Concord Music Group

After paying dues for over 15 years, Etta Jones (1928-2001) became an overnight sensation with the release of this, her first Prestige album. While the title song was the catalyst that fueled the singer’s belated discovery, not to mention one of the few singles released by an independent jazz label of the period to attain gold record status, the remaining nine tracks give equal evidence of the spontaneous phrasing and deep emotional commitment that allowed Jones to excel with such rare consistency. Blending the influences of Billie Holiday and more blues-centered vocalists, and supported by an exceptional quintet featuring Frank Wess and Richard Wyands, Jones turned Don’t Go to Strangers into the cornerstone of a career that would see her produce six more Prestige albums in the Sixties, and that kept her among the jazz vocal elite for the next four decades.

„Don’t Go to Strangers was Etta Jones’ first album for the independent jazz label Prestige when it was released in 1960 (having been recorded in a single session on June 21 of that year), and although Jones had been releasing records since 1944, including a dozen sides for RCA in 1946 and an album for King Records in 1957, she was treated as an overnight sensation when the title tune from the album went gold, hitting the Top 40 on the pop charts and reaching number five on the R&B charts. An elegant ballad on an album that had several of them, including the masterful ‘If I Had You’ and a marvelous reading of ‘All the Way,’ a song usually identified with Frank Sinatra, ‘Don’t Go to Strangers’ featured Jones’ airy, bluesy phrasing and uncanny sense of spacing, and was very much a jazz performance, making its success on the pop charts all the more amazing. Listen to Jones’ restructuring of the melody to the opening track, the old chestnut ‘Yes Sir, That’s My Baby,’ to hear a gifted jazz singer sliding and shifting the tone center of a song like a veteran horn player, all the while leaving the melody still recognizable, but refreshing it until it stands revealed anew. Apparently there were no additional tracks cut at the session, since bonus material has never surfaced on any of the album’s subsequent reissues, although that’s hardly a problem, because as is, Don’t Go to Strangers is a perfect gem of a recording.“ –AllMusic Review by Steve Leggett

Tracklist:
1. Yes Sir That’s My Baby 04:23
2. Don’t Go To Strangers 03:52
3. I Love Paris 04:01
4. Fine And Mellow 05:53
5. Where Or When 03:42
6. If I Had You 03:52
7. On The Street Where You Live 03:46
8. Something to remember you by 03:46
9. Bye Bye Blackbird 03:17
10. All The Way 04:40

Personnel:
Etta Jones, vocals
Skeeter Best, guitar
Frank Wess, flute, tenor saxophone
Richard Wyands, piano
George Duvivier, upright bass
Roy Haynes,drums

Recorded: Van Gelder Studio, Englewood Cliffs, NJ; June 21, 1960
Remastered: 2006, Rudy Van Gelder, Van Gelder Studio

Download:

http://www.datafile.com/d/TWpBek5Ua3hNelkF9/24bit.pw_3ttaJon3sDontGoToStrang3rs19602014Qobuz24441.rar
or
http://rapidgator.net/file/304dda142485eec7563988cfb0122cab/24bit.pw_3ttaJon3sDontGoToStrang3rs19602014Qobuz24441.rar.html

Stefano Battaglia Trio – In The Morning: Music Of Alec Wilder (2015) [Qobuz 24-96]

$
0
0

Stefano Battaglia Trio – In The Morning: Music Of Alec Wilder (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:09:34 minutes | 1,22 GB | Genre: Jazz
Studio Master, Official Digital Download – Source: Q0buz | @ ECM Records GmbH
Recorded: April 28, 2014 at Teatro Vittoria, Torino

On his sixth album for ECM the Italian pianist and his trio reflect on the work of American composer Alec Wilder (1907 – 1980). “I first came into a more direct contact with Alec Wilder’s music in the early 90s, when I was performing his Sonata for Oboe and Piano and his Sonata for Horn and Piano”, Battaglia remembers. “I had already known some of his popular songs like ‘While We’re Young’, Blackberry Winter’ and ‘Moon and Sand’ through the intense versions Keith Jarrett has recorded. But after working on Wilder’s chamber music I wanted to develop a deeper connection with his intriguing musical universe, and I’ve discovered an immense hidden treasure.”

Almost three years after their last ECM album ‘Songways’, Battaglia and his partners Salvatore Maiore (bass) and Roberto Dani (drums) develop an almost telepathic rapport on In The Morning, a live recording from April 2014 at Teatro Vittoria in Torino. “My take on Alec Wilder is completely focused on the melodic aspect… after twenty years of study I can totally identify with this music”, Battaglia emphasizes.
Italian pianist Stefano Battaglia and his trio present a program with a special thematic focus: all of the music was written by American composer Alec Wilder. Wilder is best known for his popular songs (recorded by Frank Sinatra, Peggy Lee, the Mills Brothers and others), but he also composed in many other genres—including art songs, orchestral music, chamber music, film music, musicals, and opera. And he wrote the influential book American Popular Song: The Great Innovators (1900-1950) about the classic era of American songwriting.
While there have been jazz interpretations of Wilder’s work—Battaglia mentions songs like “While We’re Young,” “Blackberry Winter,” and “Moon and Sand” covered by Keith Jarrett in particular—Battaglia came into more direct contact through performance. He says that “after working on Wilder’s chamber music I wanted to develop a deeper connection with his intriguing musical universe, and I’ve discovered an immense hidden treasure.” We all benefit from that connection, because Battaglia’s trio arrangements are simply stunning.
The title tune sets the tone at the opening: a stately theme which the trio elaborates on gradually, more like a classical theme and variations than the usual jazz improvisation on the chord changes. Battaglia began his career as a classical pianist, which may be at least a partial explanation for this approach. Regardless, it comes across as the perfect treatment of this music. “River Run” begins with a teasing opening before the theme is stated, then ends with a similar dissolution: a metaphoric rendering of the motion of a river.
“Moon And Sand” is the most often covered of the pop tunes in the program, so it would have logically had the most singing theme. But that honor goes to “When I am Dead My Dearest,” whose memorable melody is stated by the piano and bass in tandem (“Where Do You Go?” comes in a close second). “The Lake Isle Of Innisfree” has the expected Celtic flavor. The longest track in the album, it has generous space for a bass solo from Salvatore Maiore, who makes the most of his spotlight in the midst of a generally group-oriented sound.
The closing “Chick Lorimer” is the most abstract tune in the collection, despite being a treatment of an art song setting the poetry of Carl Sandburg. The poem is “Gone,” which begins: “Everybody loved Chick Lorimer in our town. Far off, Everybody loved her.”
This is a trio with a deep rapport, and Wilder’s music provides a wonderfully American “idiosyncratic mixture of styles” (in Battaglia’s description) for them to interact in. There’s something magical about this meeting of composer and performers, and it’s a joy to hear. –Mark Sullivan, All About Jazz

Tracklist:
1. In the Morning 11:56
2. River Run 13:17
3. Moon and Sand 06:41
4. When I Am Dead My Dearest 04:02
5. The Lake Isle of Innisfree 15:41
6. Where Do You Go? 06:29
7. Chick Lorimer 11:28

Personnel:
Stefano Battaglia: piano
Salvatore Maiore: double bass
Roberto Dani: drums

Download:

http://www.datafile.com/d/TWpBME16ZzJPVFUF9/24bit.pw_St3fanoBattagliaTrioInTh3MorningMusicOfAl3cWild3r20159624.part1.rar
http://www.datafile.com/d/TWpBME16ZzJPVGsF9/24bit.pw_St3fanoBattagliaTrioInTh3MorningMusicOfAl3cWild3r20159624.part2.rar
or
http://rapidgator.net/file/d4510c199f7a59b52f27057a338acbc0/24bit.pw_St3fanoBattagliaTrioInTh3MorningMusicOfAl3cWild3r20159624.part1.rar.html
http://rapidgator.net/file/bfd488e113f5c598a8a6ba530a4a3774/24bit.pw_St3fanoBattagliaTrioInTh3MorningMusicOfAl3cWild3r20159624.part2.rar.html

Anouar Brahem – The Astounding Eyes Of Rita (2009) [HDTracks 24-44,1]

$
0
0

Anouar Brahem – The Astounding Eyes of Rita (2009)
FLAC (tracks) 24 bit/96 kHz | Time – 00:53:26 minutes | 856 MB | Genre: Jazz
Studio Master, Official Digital Download – Source: Q0buz | Artwork: Digital booklet  | © ECM Records GmbH
Recorded: October 2008 at Artesuono Studio, Udine

Delightful new project, assembled by Tunisian oud master Brahem with producer Manfred Eicher. Combination of bass clarinet with oud suggests a link to Anouar’s “Thimar” trio, but this East/West line-up often feels closer to the more traditionally-inclined sounds of “Barzakh” or “Conte de l’Incroyable Amour”. Klaus Gesing, from Norma Winstone’s Trio, and Björn Meyer, from Nik Bärtsch’s Ronin, are both players with an affinity for musical sources beyond jazz, and they interact persuasively inside Brahem’s music. A dance of dark, warm sounds, urged onward by the darbouka and frame drum of Lebanese percussionist Khaled Yassine. The album is dedicated to the memory of Palestinian poet Mahmoud Darwish.

In the world of the oud—the fretless, Middle Eastern incarnation of the lute—there are three artists who are moving the instrument—and its centuries-old tradition—forward. Tunisian-born Dhafer Youssef has explored the integration of technology and western classicism on Divine Shadows (Jazzland, 2006), while Lebanese-born Rabih Abou-Khalil has investigated a nexus with horn-driven large ensemble on The Cactus of Knowledge (Enja, 2001). Anouar Brahem, since first emerging on ECM with Barzakh (1991), has explored more nuanced territory, between his longstanding Astrakan Café group and projects like Thimar (ECM, 1998), where Middle Eastern linearity and Western harmony were conjoined, and the chamber setting of Le Voyage de Sahar (2006), which owed as much to the turning point of European romanticism to contemporary classicism as it did Brahem’s undeniable Tunisian roots.
The Astounding Eyes of Rita introduces a new group and a consolidation of past interests. Featuring an international quartet—with two familiar faces to recent ECM fans—its dark, low register-heavy landscape is inherently chamber- like. Still, with an electric bassist and percussionist, this collection of eight Brahem compositions returns to more defined rhythms and vivid Middle Eastern traditionalism, even as it uses group interaction to lend it unmistakable modernity.
Manfred Eicher has often been instrumental in suggesting new groupings of musicians associated with the label; here he creates a truly inspired first-encounter with bassist Björn Meyer and clarinetist Klaus Gesing. Meyer—a key participant in pianist Nik Bartsch’s “Zen funk” group Ronin and the remarkable Stoa (2006), pushes Brahem’s music with a similarly unshakable pulse on the joyous “For No Apparent Reason” and brooding “The Lover of Beirut,” but his touch, overall, is lighter, his support more nuanced. Gesing, last heard on British singer Norma Winstone’s sublime Distances (2008), is no less striking here, though by working solely with bass clarinet the result is a beautifully synchronous mesh with the oud’s lower register, especially so during the floating melody over the title track’s slow groove. Lebanese percussionist Khaled Yassine, introduced to Brahem by the oudist’s sister-in-law, rounds out the group and adds subtle drive to the music, especially on the optimistically up- tempo yet still understated “Stopover in Djibouti.”
Brahem’s improvisational prowess has always been in service of the music; here, his ability to blur the line between form and freedom has reached a new level, egged on, undoubtedly, by his band mates’ equal abilities. The music is, by design, about strong melodies and open-mindedness when it comes to expanding on Brahem’s core ideas. Gesing, in particular, is a strong foil for Brahem, matching the oudist’s ability to evoke with the slightest of bends, the subtlest of glissandi.
It’s this very specific combination of musicians that makes Brahem’s album so successful. After two discs of sparer chamber music, it’s great to hear Brahem back with a pulse; but with Meyer, Gesing, and Yassine as partners, he’s retained the elusive mystery of albums like Le Pas du Chat Noir (2002), making The Astounding Eyes of Rita his most aesthetically unified album to date. –John Kelman, All About Jazz

Tracklist:
1 The Lover Of Beirut 7:44
2 Dance With Waves 3:56
3 Stopover At Djibouti 6:34
4 The Astounding Eyes Of Rita 8:41
5 Al Birwa 4:51
6 Galilee Mon Amour 7:17
7 Waking State 7:48
8 For No Apparent Reason 6:35

Personnel:
Anouar Brahem, oud
Klaus Gesing, bass clarinet
Björn Meyer, bass
Khaled Yassine, darbouka, bendir

Download:

http://www.datafile.com/d/TWpBME9EWTROREkF9/24bit.pw_AnouarBrah3mTh3Astounding3y3sOfRita2009HDTracks24441.rar
or
http://rapidgator.net/file/625f17d6ebf149174e54eb878dc5a1b9/24bit.pw_AnouarBrah3mTh3Astounding3y3sOfRita2009HDTracks24441.rar.html

Ben Monder, Pete Rende, Andrew Cyrille, Paul Motian – Amorphae (2015) [Qobuz 24-88,2]

$
0
0

Ben Monder, Pete Rende, Andrew Cyrille, Paul Motian – Amorphae (2015)
FLAC (tracks) 24 bit/88,2kHz | Time – 44:55 minutes | 683 MB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks |  © ECM
Recorded: October 2010 at Sear Sound; December 2013 at Brooklyn Recording

Guitarist Ben Monder first recorded for ECM as a member of the Paul Motian Band on Garden of Eden in 2004, and Amorphae was originally conceived as a series of duets for Ben and Paul. A first exploratory duo session was recorded in 2010. After Motians death the following year it was decided to expand and complete the project with another highly influential and innovative drummer, Andrew Cyrille, adding also Pete Rende on synthesizer on two pieces.

So here we hear Monder solo, in duo with Motian, in duo with Cyrille, and in trio with Cyrille and Rende. This range of expressive options casts light upon Monders musical concepts and their adaptability. A guitarists guitarist, Monder is also a master of texture and unusual voicings, creating what one reviewer has called detailed sonic landscapes of mystery and power.

All the music on Amorphae is his, apart from, “Oh, What a Beautiful Mornin’,” the Rodgers & Hammerstein chestnut from the musical Oklahoma!, performed here by Monder and Motian.

Ben Monder is a New York jazz guitarist who can play in a number of traditions but has gone further into his own, involving complex chords; deep sustain and swell-and-recede dynamics; fast picking; and long-form composition. Listening to his music can give you a strange, weightless, confusing sensation. He was part of the circle around the drummer Paul Motian, and “Amorphae,” his first album for the label ECM, was initially going to be a set of improvised duets between Mr. Monder and Motian. They finished some of these, but after Motian’s death in 2011 the balance of the record was completed through solo improvisations and duets with another drummer with a similarly expansive sense of time: Andrew Cyrille. (The keyboardist Pete Rende is obliquely present here and there.) The two drummers, using brushes and open space, encourage Mr. Monder in one of his natural tendencies: They help him explore sound. They help him get galactic. The album is an extended listening experience and a great one, especially late at night; its milestone here is a trippy, sepulchral version of Rodgers and Hammerstein’s “Oh, What a Beautiful Mornin’.” –Ben Ratliff, New York Times

Tracklist:
1. Tendrils 05:21
2. Oh, What A Beautiful Morning 05:23
3. Tumid Cenobite 04:50
4. Gamma Crucis 05:15
5. Zythum 07:06
6. Triffids 02:56
7. Hematophagy 06:58
8. Dinosaur Skies 07:06

Personnel:
Ben Monder, electric guitar, electric baritone guitar
Paul Motian, Andrew Cyrille, drums
Pete Rende, synthesizer

Download:

http://www.datafile.com/d/TWpBME9EWTROVGMF9/24bit.pw_B3nMond3rP3t3R3nd3Andr3wCyrill3PaulMotianAmorpha32015Qobuz24882.part1.rar
http://www.datafile.com/d/TWpBME9EWTROVGsF9/24bit.pw_B3nMond3rP3t3R3nd3Andr3wCyrill3PaulMotianAmorpha32015Qobuz24882.part2.rar
or
http://rapidgator.net/file/0cefb087614736180d5b5c29ffa3a78f/24bit.pw_B3nMond3rP3t3R3nd3Andr3wCyrill3PaulMotianAmorpha32015Qobuz24882.part1.rar.html
http://rapidgator.net/file/d30e0701069e247b6af53e9f3739d069/24bit.pw_B3nMond3rP3t3R3nd3Andr3wCyrill3PaulMotianAmorpha32015Qobuz24882.part2.rar.html


Bob James, Nathan East – The New Cool (2015) [HDTracks 24-48]

$
0
0

Bob James, Nathan East – The New Cool (2015)
FLAC (tracks) 24 bit/48kHz | Time – 53:28 minutes | 563 MB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks |  @ Yamaha Entertainment Group

The New Cool from contemporary jazz icons (and fellow members of super-group Fourplay) Bob James and Nathan East. ‘The New Cool’ centers on jazz piano and bass duets as the vehicle for a diverse collection of original compositions and handpicked classics.  Recorded entirely in Nashville it reveals James and East in a way that you have never heard them before.

“The peerless musicianship of James and East is as evident as ever, but there’s a less studied, more organic feel to the music. Tracks range from minimalist, bluesy duets to lushly appointed, orchestrated entries like ‘Waltz for Judy.’ Most of the dynamics stem from the intuitive interplay between James and East, who seem more than content to steer clear of more measured, mainstream arrangements. One especially satisfying surprise is the alternately playful and opulent take on the Willie Nelson-penned standard ‘Crazy.’ Sung with raw emotion by country star Vince Gill, it serves as a platform for some of James’ sharpest piano work. These jazz masters serve up a wholly rewarding and intimate set that’s at once new and very cool.” –Jeff Tamarkin, M Music & Musicians

Tracklist:
1. The New Cool 07:08
2. Oliver’s Bag 05:06
3. All Will Be Revealed 04:30
4. Midnight Magic/Love Me As Though There Were No Tomorrow 05:13
5. Crazy (feat. Vince Gill) 05:02
6. How Deep Is The Ocean 04:34
7. Canto Y La Danza 05:04
8. Waltz For Judy 03:25
9. Seattle Sunrise 04:09
10. Ghost Of A Chance 05:22
11. Turbulence 03:51

Personnel:
Bob James – piano, keyboards, arranger, conductor
Nathan East – bass guitar, double bass
Nashville Recording Orchestra – orchestral backing

Download:

http://www.datafile.com/d/TWpBME9EWTROekUF9/24bit.pw_BobJam3sNathan3astTh3N3wCool2015HDTracks2448.rar
or
http://rapidgator.net/file/fe963bf08c456fbbcc49c6f26cddd988/24bit.pw_BobJam3sNathan3astTh3N3wCool2015HDTracks2448.rar.html

 

Hank Crawford & The Marty Paich Orchestra – Soul Of The Ballad (1963/2012) [HDTracks 24-192]

$
0
0

Hank Crawford & The Marty Paich Orchestra – The Soul Of The Ballad (1963/2012)
FLAC (tracks) 24 bit/192 kHz | Time – 37:05 minutes | 1,49 GB | Genre: Smooth Jazz
Official Digital Download – Source: HDTracks.com | Front cover | Label: Rhino Atlantic

On The Soul Of The Ballad, Hank Crawford is backed by The Marty Paich Orchestra. The crossover sensation performs with effortless ease as he plays a dozen flawless ballads. With riveting arrangements, the repertoire includes the standouts “I Left My Heart In San Francisco,” “Whispering Glass” and “Time Out For Tears.”

This Atlantic Lp has been repackaged in a classy audiophile reissue Lp by Mobile Fidelity. The soulful altoist Hank Crawford plays a dozen ballads while backed by the Marty Paich Orchestra and the sound reproduction is flawless. Unfortunately the quality of the music itself is not high at all. The repertoire includes more than its share of losers (including “I Left My Heart In San Francisco,” “Whispering Grass” and “Time Out For Tears”), the arrangements are quite dull and Crawford does little more than caress the melodies. Definitely a lesser effort. –AllMusic Review by Scott Yanow

Tracklist:
1 Blueberry Hill 3:25
2 I Left My Heart In San Francisco 2:45
3 Stormy Weather 3:18
4 Sweet Slumber 2:53
5 If I Didn’t Care 2:47
6 Stardust 3:58
7 Any Time 2:43
8 Whispering Glass 2:47
9 Time Out For Tears 2:58
10 I’m Getting’ Sentimental All Over You 3:20
11 There Goes My Heart 3:15
12 Have A Good Time 2:56

Personnel:
Hank Crawford, alto, tenor saxophone
The Marty Paich Orchestra
Marty Paich, arranger, conductor

Download:

http://www.datafile.com/d/TWpBMU5qa3lOVGcF9/24bit.pw_HankCrawfordTh3MartyPaichOrch3straSoulOfTh3Ballad19632012HDTracks24192.part1.rar
http://www.datafile.com/d/TWpBMU5qa3lOVFEF9/24bit.pw_HankCrawfordTh3MartyPaichOrch3straSoulOfTh3Ballad19632012HDTracks24192.part2.rar
http://www.datafile.com/d/TWpBMU5qa3lOVGMF9/24bit.pw_HankCrawfordTh3MartyPaichOrch3straSoulOfTh3Ballad19632012HDTracks24192.part3.rar
or
http://rapidgator.net/file/9e83d270bf24e10b3d9ce9aa0c6781f6/24bit.pw_HankCrawfordTh3MartyPaichOrch3straSoulOfTh3Ballad19632012HDTracks24192.part1.rar.html
http://rapidgator.net/file/ce5df86a998bf2572824f7556d801660/24bit.pw_HankCrawfordTh3MartyPaichOrch3straSoulOfTh3Ballad19632012HDTracks24192.part2.rar.html
http://rapidgator.net/file/5856ef851f0bf3a9c4b7df402f72bab3/24bit.pw_HankCrawfordTh3MartyPaichOrch3straSoulOfTh3Ballad19632012HDTracks24192.part3.rar.html

John Coltrane – Offering. Live At Temple University (2014) [HDTracks 24-96]

$
0
0

John Coltrane – Offering: Live At Temple University (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 01:32:02 minutes | 0,99 GB | Genre: Jazz
Studio Master, Official Digital Download  – Source: PonoMusic | @ Impulse!/The Verve Music Group

Offering: Live at Temple University is a 2014 live album released posthumously by John Coltrane on Resonance Records. The album was recorded from original master reels stored by WRTI-FM. Proceeds from the album benefit the John Coltrane Home.

Recorded eight months before his death from liver cancer, the concert album Offering: Live at Temple University features legendary jazz saxophonist John Coltrane performing with his quintet in his hometown of Philadelphia on November 11, 1966. Although it’s been available in various incomplete bootleg forms over the years, Resonance’s Offering is the first official, complete, and fully mastered version to be released. Produced from a set of long-lost master tapes rediscovered by Coltrane’s son, saxophonist Ravi Coltrane, Offering showcases the late jazz innovator’s final ensemble featuring his wife, keyboardist Alice Coltrane, saxophonist Pharoah Sanders, bassist Sonny Johnson (sitting in for Jimmy Garrison), drummer Rashied Ali, and a coterie of local guest musicians. This was Coltrane’s main lineup after the departure of pianist McCoy Tyner and drummer Elvin Jones only a few months prior to this concert. However, rather than a lesser version of Coltrane’s once classic quartet, this ensemble seems to have codified the spiritually infused free jazz, modal, and Indian raga influences Coltrane had been exploring since the early ’60s. Gone was the internal band discord over the use of two drummers (Tyner and Jones’ purported bugaboo), replaced by an ensemble of like-minded musicians unified as much by spiritual concerns as creative ones. Beginning with an epic version of his classic 1960 composition “Naima,” Coltrane and his group perform with a sustained intensity and creative focus that would soon become a major element of Coltrane lore after his passing. Yet, here they are: the sheets of arpeggiated sound gushing from his saxophone in a burnished oaken moan, the frenetic squelch of Sanders and Coltrane’s dual opening to “Leo,” and the subsequent mid-track “vocalizations” — long debated in almost mythological terms by fans who saw Coltrane live — captured here in all their unnerving, otherworldly glory. And while there certainly is something otherworldly and transformative about Offering, it’s also utterly tangible, visceral, and organically Technicolor in the way only the best live performances are. There’s also a balance to the performances on Offering. By 1966, Coltrane had become infamous for his band’s extended solos, purportedly shutting down clubs with cacophonous 20-minute improvisations. The longest song here, an inspired reworking of his indelible 1960 version of “My Favorite Things,” clocks in at 23:20 and reveals an ensemble fully capable of guiding an audience on a logical, if no less adventurous, journey through well-charted musical territory. Listening to Alice Coltrane propel herself through “My Favorite Things,” her sparkling, hard bop-inflected keyboard lines as generously abundant as her husband’s, is to experience something strangely familiar yet completely new. By the time you get to 18-year-old college student Steve Knoblauch’s utterly unhinged guest improvisation, you aren’t so much confused as astounded that the group members lose none of their euphoric intensity while they buoy him, his throaty aggression bridging toward Coltrane’s laser-fire soprano return. Ultimately, though we will never know where Coltrane would have taken his music had he lived, Offering works as a live culmination of Coltrane’s musical journey, a homecoming and spiritual communion with the deep, creative forces that drove him right until the end of his life and, based on the music here, one can only assume beyond. —AllMusic Review by Matt Collar

Tracklist:
1-1 Naima 16:28
1-2 Crescent 26:11
2-1 Leo 21:29
2-2 Offering 4:19
2-3 My Favorite Things 23:18

Personnel:
John Coltrane Quintet:
John Coltrane – soprano and tenor saxophones, flute, vocals, bandleader
Rashied Ali – drums
Alice Coltrane – piano
Sonny Johnson – upright bass
Pharoah Sanders – tenor saxophone and piccolo

Additional:
Umar Ali – percussion
Algie DeWitt – percussion
Arnold Joyner – alto saxophone
Robert Kenyatta – percussion
Steve Knoblauch – alto saxophone

Download:

http://www.datafile.com/d/TWpBMU5qa3pORFUF9/24bit.pw_JohnColtran3Off3ring.Liv3AtT3mpl3Univ3rsity2014HDTracks2496.part1.rar
http://www.datafile.com/d/TWpBMU5qa3pORFEF9/24bit.pw_JohnColtran3Off3ring.Liv3AtT3mpl3Univ3rsity2014HDTracks2496.part2.rar
or
http://rapidgator.net/file/67150a0c9c9d1295803079d1165f893f/24bit.pw_JohnColtran3Off3ring.Liv3AtT3mpl3Univ3rsity2014HDTracks2496.part1.rar.html
http://rapidgator.net/file/0ac3b1ed9722a3556d7a4e6c590e5148/24bit.pw_JohnColtran3Off3ring.Liv3AtT3mpl3Univ3rsity2014HDTracks2496.part2.rar.html

 

Karrin Allyson – Many A New Day (2015) [e-Onkyo 24-96]

$
0
0

Karrin Allyson – Many A New Day: Karrin Allyson Sings Rodgers & Hammerstein (2015)
FLAC (tracks) 24 bit/96kHz | Time – 58:34 minutes | 1,02 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: e-onkyo |  © Motéma Music LLC
Recorded: May 1 & 2, 2015, Sear Sound Studios, NYC

Four-time ‘Best Vocal Jazz Album ‘Grammy nominee Karrin Allyson’s ‘Many A New Day (Karrin Allyson Sings Rodgers & Hammerstein)’ is a 14-song collection featuring Allyson’s romantic, sly and swinging take on songs that have become part of our cultural fabric, from ‘Oh, What a Beautiful Morning’ to ‘Happy Talk’ to ‘I Cain’t Say No’ and numerous others. The collection, which marks the singer’s debut on the Motéma label, features the distinctive pairing of Kenny Barron on piano and John Patitucci on bass (only the second time the two have recorded together). Richard Rodgers and Oscar Hammerstein’s legendary musical partnership is among the greatest of the 20th century, resulting in such seminal Broadway productions as The King and I, South Pacific, Sound of Music, Oklahoma and Carousel. With her distinctive vocals, Allyson takes an array of these beloved songs on an elegant, intimate and joyful ride. Her arrangements, impeccably performed by Barron and Patitucci, manage to infuse these musical theater gems with a spare, sophisticated and intimate vibe that recalls the wee-hours in a late night Paris jazz club.

Karrin Allyson projects always have all five points of the creative star pinned down: theme, repertoire, arrangement, sequencing, and support. Her recordings Ballads: Remembering John Coltrane (Concord, 2001), In Blue (Concord, 2002), Footprints (Concord, 2006), and ‘Round Midnight (Concord, 2011) are all evidence of her unsurpassed musicianship and creative heart. Karrin Allyson’s worst recording is still outstanding.
Artistically fearless, Allyson again spins golden lace from her talent arsenal. Many a New Day: Karrin Allyson sings Rodgers and Hammerstein, the singer’s first recording for Motema, again touches the five points of a well-fashioned release. Her theme is the music of Richard Rodgers and Oscar Hammerstein, presented in the close quarters of the piano-bass rhythm section. The repertoire is select. It is not a complete survey of R&H oeuvre, rather, it focuses exclusively on Oklahoma! (1943), South Pacific (1949), The King and I (1951) and The Sound of Music (1959).

Allyson, an accomplished pianist, arranged all 14 selections, a considerable effort considering her supporting cast mentioned later. Her sequencing (or song choice) is measured and informed. Allyson did not take an easy route, covering the most popular songs from each show (save for Oklahoma!’s provision of “Oh, What a Beautiful Mornin,’” and “The Surrey with the Fringe on Top”). Most notably (and gratefully) absent is “My Favorite Things,” opting instead for a superb reading of “Edelwiess” with the singer accompanying herself on piano.

For support, Allyson is joined by pianist Kenny Barron and bassist John Patitucci. That might be the definition of class. She molds these outstanding musicians to her whims and wishes, producing sheer genius like the opening “Oh, What a Beautiful Mornin,’” a hayseed tune if there ever was one and making it an art deco piece gospel blues. Her wordless doubling of Barron’s piquant playing on the opening of the title tune is as rich as cream and heady as a martini. “You’ve Got to Be Carefully Taught” from South Pacific is an unexpected delight joining an equally delightful, though expected “Bali Ha’i.” Near perfect as a project Many a New Day: Karrin Allyson sings Rodgers and Hammerstein makes an excellent addition to an already exceptional discography. –C. Michael Bailey, All About Jazz

Tracklist:
1 Oh, What A Beautiful Mornin’ 4:11
2 Many A New Day 3:00
3 Happy Talk 3:54
4 I Cain’t Say No 4:19
5 I Have Dreamed 4:56
6 Out Of My Dreams 3:35
7 Bali Ha’i 5:08
8 Medley: When I Think Of Tom / Hello Young Lovers 4:35
9 We Kiss In A Shadow 4:38
10 You’ve Got To be Carefully Taught 4:12
11 Something Wonderful 2:37
12 The Surrey With The Fringe On Top 3:32
13 Something Good 3:19
14 Edelweiss 2:33
15 This Nearly Was Mine (bonus track) 3:57

Personnel:
Karrin Allyson – Vocals, Arranger, Piano (#14)
Kenny Barron – Piano
John Patitucci – Bass

Download:

http://www.datafile.com/d/TWpBMU9UTTBORFkF9/24bit.pw_KarrinAllysonManyAN3wDay20153Onkyo2496.part1.rar
http://www.datafile.com/d/TWpBMU9UTTBORFEF9/24bit.pw_KarrinAllysonManyAN3wDay20153Onkyo2496.part2.rar
or
http://rapidgator.net/file/180665aace588e4cdd587d1dc2eeed6e/24bit.pw_KarrinAllysonManyAN3wDay20153Onkyo2496.part1.rar.html
http://rapidgator.net/file/0e1f3acf009ab92b2e7dbf4dc6f8f0e9/24bit.pw_KarrinAllysonManyAN3wDay20153Onkyo2496.part2.rar.html

 

Les McCann – Another Beginning (1974/2011) [HDTracks 24-192]

$
0
0

Les McCann – Another Beginning (1974/2011)
FLAC (tracks) 24 bit/192 kHz | Time – 42:30 minutes | 1,45 GB  | Genre: Jazz
Studio Master, Official Digital Download  | Source: HDTracks | @ Rhino Atlantic
Recorder, West Los Angeles, CA, May 20-23, 1974

Packed full of McCann’s raspy vocals and funky riffs, Another Beginning finds jazz pianist/vocalist in top form. The soulful album released in 1974 peaked at #15 on Billboard’s Top Jazz Albums. Included on the album are the extraordinary “Someday We’ll Meet Again,” “My Soul Lies Deep” and “Maybe You’ll Come Back.” This mind-bending recording has never sounded better.

Les McCann reached the peak of his career at the 1969 Montreux Jazz Festival, recording “Compared to What” and “Cold Duck Time” for Atlantic (Swiss Movement) with Eddie Harris and Benny Bailey. Although he has done some worthwhile work since then, much of it has been anticlimactic.

McCann first gained some fame in 1956 when he won a talent contest in the Navy as a singer that resulted in an appearance on television on The Ed Sullivan Show. After being discharged, he formed a trio in Los Angeles. McCann turned down an invitation to join the Cannonball Adderley Quintet so he could work on his own music. He signed a contract with Pacific Jazz and in 1960 gained some fame with his albums Les McCann Plays the Truth and The Shout. His soulful, funk style on piano was influential and McCann’s singing was largely secondary until the mid-’60s. He recorded many albums for Pacific Jazz during 1960-1964, mostly with his trio but also featuring Ben Webster, Richard “Groove” Holmes, Blue Mitchell, Stanley Turrentine, Joe Pass, the Jazz Crusaders, and the Gerald Wilson Orchestra.

McCann switched to Limelight during 1965-1967 and then signed with Atlantic in 1968. After the success of Swiss Movement, McCann emphasized his singing at the expense of his playing and he began to utilize electric keyboards, notably on 1972’s Layers. His recordings became less interesting to traditional jazz fans from that point on, and after his Atlantic contract ran out in 1976, McCann appeared on records much less often. However, he stayed popular and a 1994 reunion tour with Eddie Harris was quite successful. A mid-’90s stroke put him out of action for a time and weakened his keyboard playing (his band began carrying an additional keyboardist) but Les McCann returned to a more active schedule during 1996 and was still a powerful singer. His comeback was solidified by 2002’s Pump It Up, a guest-heavy celebration of funk and jazz released on ESC Records. –Artist Biography by Scott Yanow

Tracklist:
1 Maybe You’ll Come Back 3:58
2 The Song Of Love 3:14
3 When It’s Over 10:28
4 Somebody’s Been Lying ‘Bout Me 3:32
5 Go On And Cry 5:23
6 My Soul Lies Deep 5:19
7 The Morning Song 3:38
8 Someday We’ll Meet Again 6:58

Personnel:
Jon Faddis, Danny Moore, Joe Wilder – trumpet, flugelhorn
Garnett Brown, Kiane Zawadi – trombone
Bill Slapin – clarinet, saxophone
Seldon Powell, Harold Vick, Frank Wess – saxophone
Sanford Allen, Selwart Clarke, Harry Cykman, Max Ellen, Paul Gershman, Emanuel Green, Harry Lookofsky, Joe Malin, David Nadien, Matthew Raimondi – violin
Julien Barber, Al Brown – viola
Kermit Moore, George Ricci – cello
Les McCann – piano, electric piano, synthesizer, Clavinet, vocals, arranger
Roy Gaines – guitar
Herb Bushler – bass
Chuck Rainey – electric bass
Paul Humphrey – drums
Buck Clarke – percussion
Carmen Bryant, Cathy Collier, Bob Esty, Jim Gilstrap, Vennette Gloud, Norma Holmes, Cissy Houston, Marti McCall, Sandy Merrill Smolen, Rennelle Stafford, Sally Stevens, Deidre Tuck – backing vocals
Tamiko Loving, Laurence Moore – backing vocals -2
Morgan Ames – backing vocals, vocal arranger
William Eaton – arranger, conductor, vocal arranger –2

Download:

http://www.datafile.com/d/TWpBMU9UTTBORGsF9/24bit.pw_L3sMcCannAnoth3rB3ginning19742011HDTracks24192.part1.rar
http://www.datafile.com/d/TWpBMU9UTTBOVEkF9/24bit.pw_L3sMcCannAnoth3rB3ginning19742011HDTracks24192.part2.rar
http://www.datafile.com/d/TWpBMU9UTTBOVEUF9/24bit.pw_L3sMcCannAnoth3rB3ginning19742011HDTracks24192.part3.rar
or
http://rapidgator.net/file/4ba17cc72e41207eb9a285a857cfbcc0/24bit.pw_L3sMcCannAnoth3rB3ginning19742011HDTracks24192.part1.rar.html
http://rapidgator.net/file/cc023a6895ef3228e0ed3d72322b198a/24bit.pw_L3sMcCannAnoth3rB3ginning19742011HDTracks24192.part2.rar.html
http://rapidgator.net/file/7f35fad28452ca8cc9d098613222b16e/24bit.pw_L3sMcCannAnoth3rB3ginning19742011HDTracks24192.part3.rar.html

Viewing all 2590 articles
Browse latest View live


<script src="https://jsc.adskeeper.com/r/s/rssing.com.1596347.js" async> </script>